Vivien Collens
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    • Artist's Statements
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  • Sculpture
    • COLLENS IN CORNWALL
    • Public Sculpture Catalog
    • Froebel's Gifts 2017 -2022 >
      • Froebel's Gifts. wood prototypes
    • Squirt 2019-2025
    • GREENHOUSE SERIES.2021
    • ceramic sculpture
    • ARBOR. 2020
    • City Blocks. 2015.
    • Mountains. 2023
    • Ephemeral Installations >
      • DRAW / BUILD 2019-2021
  • DESIGN
    • URBAN ORGANIZERS
    • Tripods.
    • Archive: Early Sculptural work. 1970s and 80s
  • Paintings
    • Pathways. 2015-16.
    • Urban Studies 2011-2015
    • Notes to Self. 2008-2011,
    • Slides paintings. 2007-2010.
    • motherhood. 1990s
    • Lineation. 1990-95.
    • Shaped paintings. 1980s.
    • The Romance of Electricity :1979-84
    • early work . 1970s
  • Works on Paper
    • COLLAGES
    • paper paintings
    • DRAWINGS
    • URBAN STUDIES
    • PRINTS

                                               FROEBEL'S GIFTS
                                                                                                              welded aluminum                              
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Froebel's Gifts: Energized Cube. 2017. welded aluminum. commission for New Orleans ,Kenner Sculpture Garden. 16' x 4' x 4'.
Froebel's gifts: energized cube , 2017,   16' x'4 x 4' top left,  was the first large scale  sculpture in the series.  It was commissioned in metal  for the permanent collection of the Kenner Sculpture Garden in New Orleans, at 16' high,  It is  made of twelve identical 42" high welded aluminum modules  fabricated from  3" x 3"  hollow  tubes . After fabrication it  was painted  with autobody paint,.
​   The wood sculpture prototype (see slide show and history below) was exhibited  at  Trestle Gallery in Brooklyn in 2016. 
A short time later it was  commissioned  in metal  for  the  permanent collection of the Kenner Sculpture Garden in New Orleans from the  wood sculpture  prototype/ 

​Froebel's Gifts: Blue circuit, 2018, 18' x 8'x 7' ,   was  originally  exhibited  2018 -2020 in the  Poydras Corridor Sculpture Exhibition in New Orleans, (bottom left and right)  with support from the Helis Foundation and Sculpture for New Orleans. It is currently on loan to the Josephine Sculpture park in Frankfurt , KY.
Middle row, center photo  is the same sculpture  Froebel's Gifts: Blue Circuit,  when it was  later exhibited  at  the  Ohr 0Keefe Museum in Biloxi, MS.



BACKGROUND AND DEVELOPMENT

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" To Froebel belongs the credit for finding the true nature of play and regulating it to lead naturally into work. The same spontaneity and joy, the same freedom and serenity that characterise the plays of childhood are realised in all human activity. The gifts and occupations are the living connection which makes both play and work expressions of the same creative activity. " W N Hailmann
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                                                 Artist's Statement :
​Friedrich Froebel was the founder of the modern kindergarten in 1838.  He designed basic geometric   forms (sphere, cube, cylinder, pyramid) as gifts   for children,  believing it would increase their ability to think abstractly. Upon learning that Frank Lloyd Wright and Buckminster Fuller played with  sets of these
 (later marketed as toys)  when they were children,  I created Broken Cube (pictured on left)   an   asymetric wooden geometric form with each square beam purposely cut at anything but a 90 degree angle, and intentionally glued . at contrasting angles.,   Broken Cube  fascinated  me because of the way it frames the space beyond it,  and how  different it looks  from each side. I originally envisioned it as 30 or 40 foot high monumental sculpture for a public space, which people could sit on, but since I was new to sculpture and had never made a metal public sculpture,  I realized I needed to do something more practical so people would see it.
​I then enlarged it in wood  17" high,  and  after doing some floor installations, I  used it as a module  for building larger wood  structures, fastening
the components together in different formations. I then added  precariously positioned cubes for several reasons:
  • create a more balanced distribution of color
  •  imply motion, as  though they might fall, 
  • suggest play looking as if they  could be removed. 
  I felt the title  Froebel's Gifts was  an appropriate way to pay homage to the inspiration and playful freedom   of this series.
In  later wooden  works I explored triangles and folded diamond shapes.. 
In later works I explored triangles and folded diamond shapes.. In later works I explored triangles and folded diamond shapes.. In later works I explored triangles and folded diamond shapes.. 

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Linear ins 

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          Artist's statement,   
Once I enlarged the model in metal, 42" high, I noticed that Because each square beam is positioned at a  different  angle  the color changes as as the light hits from different angles, or might  reflect one section onto another.  I  began creating  larger stacked  structures based on the wood sculptures I had exhibited,  and later 
    I felt .that  this module could  create a variety of interesting structures to which I had various associations, mostly architectural .
​    Below  are the 5" High  3D prints of Broken Cube, made with support from Hudson Valley Advanced Manufacturing Center,  by scanning  the original 10" high Broken Cube. The 3 D prints  were originally made to create a model I could easily ship to the fabricator I found in Texas.but later I played with them to create additional structures.

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Froebel's Gifts: Blue Circuit 
in welding shop and on  loan to Josephine Sculpture Park today for exhibition.
 

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Bejewelled.
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Entwined Geometries. Prototype sculpture composed of various colored modules that are can be duplicated and placed in different locations
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​

             Froebel's Gifts; Blue Circuit. 2018. 
             18' x 8' x 7' welded aluminum
​             with auto body paint.
  •               currently at  Josephine Sculpture Park,
  •               Frankfurt, KY

  all images © Vivien  Collens   2025                                                           Vivien  Collens  is also known as  Vivien Abrams Collens      
                                                           
  • Home
    • Bio
    • Resume
    • Artist's Statements
    • Archived materials
  • Sculpture
    • COLLENS IN CORNWALL
    • Public Sculpture Catalog
    • Froebel's Gifts 2017 -2022 >
      • Froebel's Gifts. wood prototypes
    • Squirt 2019-2025
    • GREENHOUSE SERIES.2021
    • ceramic sculpture
    • ARBOR. 2020
    • City Blocks. 2015.
    • Mountains. 2023
    • Ephemeral Installations >
      • DRAW / BUILD 2019-2021
  • DESIGN
    • URBAN ORGANIZERS
    • Tripods.
    • Archive: Early Sculptural work. 1970s and 80s
  • Paintings
    • Pathways. 2015-16.
    • Urban Studies 2011-2015
    • Notes to Self. 2008-2011,
    • Slides paintings. 2007-2010.
    • motherhood. 1990s
    • Lineation. 1990-95.
    • Shaped paintings. 1980s.
    • The Romance of Electricity :1979-84
    • early work . 1970s
  • Works on Paper
    • COLLAGES
    • paper paintings
    • DRAWINGS
    • URBAN STUDIES
    • PRINTS